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If there's no abstract acrylic art in the world, there will be no human.

abstract acrylic art give people beauty. Beauty can adjust people's mood. A good mood will improve people's work. The word becomes more beautiful because of abstract acrylic art.

Art works inspire people. Everybody in the world need inspiration. That's how people affect each other. That is how dead people affect living people. That's the wealth of human inherited from ancestors.

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There are also a lot of art works are selling in online auctions. But sometimes, people sell fake art works as authentic ones on the internet.

Human behavior, it seems to me, has obviously innate components. We are certainly hard-wired not to try to fly off buildings, and the fear of stepping off a cliff when we can see that there's no place near to land arises pretty early.

But most cultural activities and ethical consciousness are learned behavior (in my judgment). Children learn to not be cruel, they aren't born empathetic.

That could be a complete projection on my part, but none the less I understand that it is difficult to address subtle and nuanced issues like this in a language that is not one own. I'll be hard pressed to utter a single simple sentence in German, and addressing issues of more depth like we are discussing here would be out of the question.

Staggering numbers of people are killing and being killed all the time, and television, radio, print and electronic media present these events nearly anywhere we look. More than what culture or time period the victim may be from, I think it is the presence or absence of the umanizing details?

Every culture have their representative art works. For example, the statue of liberty is a symbol of freedom and it's a great art work of French people.

Does a great artist have to graduate from art school? The answer is no. There might be some great artist indeed studied an art school. But it does not mean that people have to study in an art school to become great artists. There  are a lot of great painters and calligraphers in Chinese history. But almost none of them ever studied in an art school.

The Rockefeller episode is different of course. Most significantly, this is something of an unsolved mystery. Michael Rockefeller disappeared, and there has never been definitive proof of what happened. A lot of theories have been put forward, some of which seem more plausible than others.

Some people feel he may have drowned or been attacked by sharks or crocodiles while trying to swim to shore from their capsized canoe. With regard to that scenario, some people say the threat of aquatic predators is possible but not really that likely.

While the Chalmer incident left a powerful impression on the mind of missionaries, the Rockefeller incident is the one that tends to linger most in the thoughts of those of us who are interested in the art and culture of this area. This latter event happened in the Asmat region, which is West through the Torres Straight and up along the coast of West Papua (Indonesian side) in relation to Goaribari Island where the Gope board that started this thread originated.

I'm afraid the off the cuff choice of using the adjective ortalto qualify combat may have created an unfortunate distraction that has diverted the essential intent of the comment.

In any case, this has lead to other interesting tangential topics and sources. I see that the book you suggest, On Aggression, is by Konrad Lorenz. I looked it up on Amazon and it seems like a very worthwhile and thought provoking read.

Much to the chagrin of some modern evangelical types, she offered these words to the descendants of those who executed the missionaries, “I think my ancestor was wrong to come in and try to change you.

Suffice to say that headhunting was a robust tradition here. In 2001, on the centenary of Rev. Chalmers' demise, the BBC aired a documentary in which Charlotte Sainsbury, a direct descendant of Rev. Chalmers visited Goaribari.

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